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年少的水哥，突遭灭门之灾，成了“漏网之鱼”。“漏网”的水哥受高人指点，来到京城长安避祸，寻找安身立命之所，与金银铜铁四位混世少年不打不相识结为生死兄弟，以少年侠客自诩。又与波斯少年赛玛、阿卜都结为生死之交。五少年想谋取一个好的前程，不料阴差阳错，误入西北地区黑恶势力总后台王御史家。他们不知王御史正是导致水哥遭受灭门之灾的罪魁祸首。为将“漏网之鱼”水哥斩草除根，王御史以建功立业之名将五少年送往西北边陲，打算借他们之手劫取贡品而后栽赃陷害将其一网打尽。五位少年不知是计，满心欢喜奔赴“地狱之门”。金哥、阿卜都和赛玛相继喋血大漠。血债必须血偿，水哥的神风刀终于愤然出鞘。几兄弟在戈壁大漠匡扶正义，血溅刺史府，追杀毛里求，夺回贡品，洗刷罪名。复仇除恶的怒火从瓜州一直烧到京城长安。。上世纪90年代，袁敬华有感于乡邻两个聋哑孩子渴望上学，在家里一间不足十几平方的小土屋里，开始了她的特教事业。从16岁涉足特殊教育到如今的26年间，她始终对特教事业初心不改，对残疾孩子不离不弃。。Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately| Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction| but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average| but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!。